The next stop on Woolly's 10 year anniversary blog tour after
Susan Crawford's lovely post - this is editors' week! Introducing ourselves
as
Heather Murray, tech
editor/maths checker
, and Liz
Marley, test-knitter and copy-editor. And both fans,
obviously... (And that post title: it turns out that Heather uses a purple ballpoint and Liz uses neon orange fountain-pen ink...)
We're hosting this on Liz's blog, but it's
a joint effort, which seems appropriate given what we
do. Being people who like structure, we decided on a few questions and answers...
Q: When did we both meet Woolly?
Heather: If I am remembering correctly I think I met you both at Skip North, in I think 2007. I remember learning how to use Procion dyes with Liz, and teaching Woolly Crochet Provisional Cast-On on a bus trundling round the yarn shops of West Yorkshire. I first started working with Woolly in the middle of 2010 with some individual designs, and then the reprint of Going Straight.
Woolly at the I Knit Weekender in 2009
Liz: I met Woolly at Skip North in 2005, the first "real"
one. Woolly was building a freeform crochet hat, and
also a
Hex hat; the two impressions I came
away with were that she was both extraordinarily talented, and
also Not A Morning Person. Then we kept bumping into each
other at shows (I remember one just-about-silent journey
from King's Cross to Ally Pally
way too early in
the morning, both of us clutching caffeine of choice), and I
have good memories of the Going Straight launch party in 2007.
Thankfully, we stayed
in touch when Woolly and the family started spending much of
the year in Italy, and it's been a pleasure to have her to
stay over the last couple of years when she's taught at the
Sheep Shop in Cambridge.
(Thanks, Sarah from the Sheep Shop, for the photo!)
Q: What do we find most interesting about the
way Woolly designs?
Heather: I love that each design has its own internal logic,
and I love discovering that as I work through the
pattern. She is very good at making each section of
the Hat flow into the others, so that while each
section is interesting and beautiful in its own right,
the whole still manages to be more than the sum of the
individual parts. Her Hats have a wonderful sculptural
quality, while still being very wearable.
Liz: I'm constantly amazed by the way Woolly thinks in
3D. She seems to know every time exactly what she's
trying to achieve, and to be able to picture the whole
thing in her head. I suppose part of it is her art and
engineering background, and it's always a beautiful
thing to watch! I also love the crowns - you never get
the feeling they're an afterthought. (This is possibly
why I don't actually own any Hats designed by any other
designer.)
Tucked. Photo © Woolly Wormhead
Q: What do we each
contribute to the editing and production process?
Heather: Mostly I am keeping an eye on the maths when I go
through either a single pattern or a book. I check
that the tension given combined with the stitch counts
will give Hats of the stated sizes, and that each time
a stitch count is given for a pattern repeat, or
increases or decreases, that it all works out in all
of the sizes. I make sure that all of the appropriate
information is clearly given so that the knitter can
successfully make their Hat in their chosen size. I
also check for consistency in use of abbreviations
within the pattern and within the whole book, and
within Woolly's body of work.
Liz: I'm part of Woolly's small, friendly,
test-knitting pool, and we get to see the designs at the
just-written-up stage. At that point, I try and shut
off my brain and knit to exactly what's written in the
pattern. If I have the slightest doubt, I don't do what
I'd normally do as a knitter and try and fudge things or
work things out myself - I flag it up, because if I
don't get it, there's the likelihood that someone else
won't either. And then, after Heather's done her
tech-editing magic, I copy-edit patterns for the books
(and, over the last couple of years, for the Mystery
KALs too). That involves a little bit of
spelling/grammar work, but mostly consistency - making
sure that the style flows between patterns and between
books, and that, for example, type/font styles are
consistent across the board, that the Table of Contents
has the correct pagination once the final order of
patterns has been determined, that nothing's been
inadvertently cropped in layout, and so on.
Q: Favourite Woolly pattern from the last
decade?
Heather: My favourite Hat to knit has been
Quynn . I have so far knitted 10 of these! 3 each for my
nephew and nieces (luckily they are young enough that
they aren't reading this so wont realise that they are
each getting one for Christmas!), and one for me. Quynn was the only hat one of my
nieces would voluntarily wear last winter. My
favourite Hat to edit has probably been
Asymloche .
That was a fun brain puzzle to see how this one
worked! Each segment is different and there are short
rows and different stitch counts to keep track of.
Good fun :-) And another good example of where Woolly
has taken what is a rather difficult concept and
created a beautiful Hat with a pattern that is easy to
follow.
Quynn. Photo © Woolly Wormhead
Liz: Favourite I've kept for myself - last year's MKAL,
Sophora; I love this one both for the
lovely 7-point pattern on the crown of the beret, and
for the folded brim which makes the knitter feel very clever in the completion of it (and keeps your ears
really warm). Favourite I've knitted for someone else -
made a
Baby I-Cord Beanie for my nephew in
November 2007 which he wore from it being way too big, as in this photo, to when it was
making ridges in his forehead because it was so much too
small!
Q: Favourite Woolly pattern from Painted Woolly Toppers?
Heather: I think this is probably
Dancette.
I love the way the changes of direction work with the
hand painted yarn. And I enjoyed the opportunity to
use a bit of Pythagora's Theorem to check the depths
of the Hat :-)
Dancette. Photo © Woolly Wormhead
Liz: Knew I shouldn't have let Heather go first! - I
test-knitted Dancette and it is so very clever (and I
now know
what a Dancette is)! I also love
Jetty - the use of dropped-stitch waves on
a Hat is really unexpected, and the decreases work so
beautifully towards the crown. Must get that one out
and wear it this winter!
Jetty. Photo © Woolly Wormhead
Finally, in celebration of Woolly's 10 years of publishing and blogging, there's a prize on offer at each stage of the Tour - a project bag made by Woolly herself, and a pattern of your choice. And as it's also my (Liz's) 10th blog anniversary, I've dyed a skein of organic merino in a heavy aran-weight which will also be making its way to the winner!
To enter, please leave a comment below, telling me which of Woolly's Hats is your favourite and why, before
midnight (GMT) at the end of next Sunday, December 20. I'll pick a winner first thing on the Monday morning.