


The table is 165cm/5' 6" long, so it's going to be a nice length...
Phew. It's not been the greatest fortnight really in Actual Life; but it was nice to achieve something and clock up some serious knitting metreage...
I've ranted about this book before but re-read it for the London Kniterati's February meeting (having suggested it in the first place!) Everyone who turned up had read and enjoyed it, which made me extremely happy. And yes, it easily stands a fourth read-through!
Walking money, by James O. Born. London: Robert Hale, 2006.
I looked into James O. Born after reading a short story of his in Michael Connelly's anthology from last year. This is a book which really begs to be made into a heist film. Unfortunately, I think it would make a much better film than it would a book - the plot is great, twists and turns galore; but the characterisation isn't always strong enough that you can work out who's who without going back a page or two; the violence is somewhat cartoonish; and you feel very little real sympathy for any of the characters.The idea was originally kicked off by the Yarn Harlot, who is also running her original Olympic challenge again - and if I hadn't become co-captain of the KnitCambridge team and a member of the IKnitLondon team before she announced she was going for it again, I'd absolutely have been doing that one, not least because Franklin will be designing the medals again (see sidebar for the beauty of the 2006 one...)
Three Olympic challenges = too much, given that I'm teaching two classes on February 19th (yes, it's Textiles in Focus time of year again!) and one on March 7th (at White House Arts) - all freeform type stuff, which you can't really stop sampling for...
I'll introduce/re-introduce you to the Olympic projects as we go along... I'm aiming to knit one new project and finish one long-neglected one...
The people's music, by Ian MacDonald. London: Pimlico, 2003.
A series of collected essays in music, with subjects ranging from Bob Dylan to The Supremes; the essays on Dylan and Nick Drake are particularly fine. The title essay talks about the passage of popular music from the essentially amateur process of folk music to the professionalism of writers such as Cole Porter and Irving Berlin and the manufactured artists of Motown; and then tracking its descent into amateurism again with the Beatles and Stones, and later the punk era. The piece was written in 2002 or so - it would be interesting to hear where MacDonald thinks we're going in the era of The X-Factor...
Little face, by Sophie Hannah [audiobook]. Oxford: Isis, 2007. Read by Charlotte Strevens.
Alice returns to her house after the first outing without her new baby, and claims that the baby in the cot upstairs isn't hers. Her husband is equally convinced she's lying, and her very controlling mother-in-law loses no time in weighing in. I don't think I'd have carried on with this after the first couple of chapters if it hadn't been an audiobook; I didn't really feel sympathetic to any of the characters, the final dénouement was a bit of a disappointment (and I couldn't make the reasoning add up), and some of the mental and physical sadism was just unpleasant. Strevens is a good reader though; now we can search the library catalogue by narrator as well as author, I'll be ordering up some more she's read.
Un Lun Dun, by China Miéville. London: Pan, 2008.
One intended for young adults; this is a wonderfully inventive trip through London and unLondon, with some great inventions such as the binja (fighting waste bins), unbrellas (ever wondered where all those broken umbrellas go?) and Webminster Abbey (populated by giant spiders). The style of it is much simpler than Miéville's complex prose when writing for adults, but none the worse for that, and the London cityscape is skewed just enough to make it magical without it becoming unrecognisable.
Scarpetta, by Patricia Cornwell. London: Sphere, 2009.
I didn't have a lot to say about this one, really; it's a Scarpetta. It is, however, less ridiculously angst-ridden and more plot-driven than some of the more recent ones. I keep reading these, despite vowing that I won't; I always come out of them feeling a little bit disappointed...
So if you don't have any paint you could be watching dry (or just want to have some reassurance that warmer days will come), or you're trapped under something heavy while reading this, do have a look.
While looking for all the versions, I found the photo below, which I made last year but never posted. It also makes a change from the current state of my small resentful house-mate, who is spending 22 hours a day sleeping next to a radiator in the bedroom at the moment, emerging only to eat or dive briefly into the garden to answer the call of nature...
Keep warm, all.
*Bet you were wondering why I was more positive. I'm not the most disciplined worker-from-home, but after yesterday, only wasting 90 minutes of my day dealing with trains, with the knowledge I was only 10 minutes from home at any time, was just fine and I got a fair amount done.
Anyway; the best behaviour thing was - look!! I swatched!! (And then I felt very bad about myself. Not, you understand, for the action of swatching - but because actually what I was doing was knitting a tension square; we have a perfectly good phrase for this process in British English... in the same way as, thank you Google Chrome spellcheck, "colourway" is an actual word. Having said that, the spellcheck fails to recognise "Google", "spellcheck" or "swatching" as words either... Anyone know how to turn it off?)
Anyway, I knitted a square, and measured it, and washed and dried and blocked it, and patted myself on the head, and measured it again - and there was absolutely no difference. I did not get gauge because I'd given myself a talking to by then. Sadly I also did not achieve the appropriate tension, as UK knitting patterns used to have it. The tension demanded by the pattern is 24 sts and 32 rows to 4"/10cm. I got 21.5 sts and 34 rows to 4". But look, isn't it a pretty thing? And the fabric feels very nice and wearable. This sample is also done on a 3.25mm (US3) needle - I am not going to be knitting an entire garment for someone with my degree of, let's say, décolletage, on a 2.75mm needle... and anyway, then the row tension would be even more off and it might feel like wearing armour-plating...
I shall, nevertheless, be knitting Nordique Swing - having done the maths, the one three sizes down works with the number of stitches I need; with any luck that means I'll save a bit of yarn and have enough to work the sleeves till they're bracelet-length...
NB: Reading it back, this post sounds like an anti-American rant. For which, apologies - this was not my intention at all.
So, nothing dramatic - I rather like my life at the moment and have no desire for radical change.
Being able to get into the back bedroom without a block and tackle would be good, though...
OK; the competition. I will be doing 2 prizes this year, and simplifying it a bit. There are only 2 questions:
1. How many finished objects did I produce this year (NB this blog is not an accurate guide and nor is Ravelry - you probably just need to make a guess)?
2. How many metres of yarn did I knit this year (NB for visitors from North America, add approx 10% to a yardage estimate...)?
For some sort of idea - this was the roundup of last year's stats...
Happy competitioning... I won't bother doing an anonymous e-maily thing this year, just leave answers in the comments if you're so inclined!